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A computer-generated performer called Tilly Norwood is being marketed for film and ads, raising questions about consent, pay, and union rules.
In short: A computer-generated “AI actress” named Tilly Norwood is being promoted for real film and advertising work, and it is intensifying arguments about consent and jobs for human actors.
Tilly Norwood is not a real person. She is a fully synthetic performer made with generative AI (software that creates new images and video by learning patterns from lots of examples). She was created by Dutch comedian and technologist Eline Van der Velden and her production company Particle6, through an AI-talent unit often described as Xicoia.
Particle6 has presented Tilly as a potential leading star for ads and story-based projects. Coverage has described her as on track to become one of the first purely synthetic performers to be signed by a talent agent. Van der Velden also presented the character at the Zurich Film Festival, signaling that this is aimed at mainstream entertainment, not just an experiment.
A key point in the debate is how these synthetic faces are made. Reports say Tilly’s look comes from AI models trained on large datasets of human faces and performances, which can include many actors whose work may have helped train the system without individual credit or consent. Critics argue this is like building a new “actor” out of a crowd of uncredited extras.
Actors and unions are already pushing for stronger rules. SAG-AFTRA in the US has contract language for “synthetic performers,” including consent if a digital performer is recognizable as a real person, and bargaining if someone’s name or distinctive features are used to generate a new asset. These provisions are set to be renegotiated in mid-2026, and projects like Tilly Norwood are likely to be a central test case.
Source: NYTimes